Friday, April 30, 2010

Blues Guitar Lesson - 5 Essential Techniques For Wicked Blues Guitar Soloing


Image : http://www.flickr.com


The most important aspect of any blues guitar lesson is increasing your ability to make everything you do on the guitar sound completely "organic". This not only goes for your song writing, but also and especially for your soloing. Improvisation is the heart and soul of blues guitar playing. But the last thing in the world that you want is to sound anything less than tight and professional when you solo. Needless to say, this means that it's a fine line to walk between sounding like an organically-grown blues master professional, and sounding like a second-rate pop star's session guitar man.

For this blues guitar lesson, think of someone like Stevie Ray Vaughn. Maybe the greatest electric blues guitar player in history, Stevie Ray always sounded totally professional and in control--never sloppy. But, that man snorted soul from his nostrils! Every note he played, he caused to come screaming and writhing out of that FenderStrat. Whether he was playing rhythm, riffs, or solos, he made you feel the joyful pain of the blues guitar. And how did he accomplish this incredible feat? He did it by always making it seem as if whatever song he was playing had just been made up on the spot and had never been played before--even though everyone in the audience knew otherwise, every time he played it felt totally spontaneous to them.

That is what "organic" means. That is what blues guitar playing is all about.

There is always method behind the madness, however. You can rest assured that when Stevie Ray gave himself a blues guitar lesson, he was not fooling around. He was deadly serious about mastering certain techniques--techniques which he practiced over and over and over again until his fingers were doing the moves over an imaginary fretboard in his sleep.

So...what's in this blues guitar lesson for you?

*Never try to impress your listeners or other musicians with your sheer note-playing ability. Don't be a speed demon and don't be a juggler. Listen to the bass player, listen to the lead melody of the song, and craft your solo in relation to those elements. So you know all those notes? So what? All that matters, in the end, is the feel of the song. Technique is there to facilitate that. However, that does not mean that "you can express it all in four notes". It simply means that you must put taste before pyrotechnics.

*Play major pentatonic scales over the I chord, but minor pentatonic over the IV and V chords. If you don't understand what this means, study more music theory.

*Use some double-stops and chords in your soloing. This is the blues. You can throw in "chunky stuff" and sound great. You want plenty of meat on your musical bones.

*Don't be afraid of "accidentals". This means, if the sound is going to be right, hit a note that is outside of the scale or even the key that you are presently playing in. This will make you sound totally "wild" and "exotic".

*Use plenty of slurs on the guitar--hammer-ons, pull-offs, and slides. Make your guitar speak, not just sound off.

Hopefully, this has been a good basic blues guitar lesson for you. Apply these ideas and you will rapidly progress in your blues guitar playing!

Wednesday, April 28, 2010

How to play guitar for beginners guitar lessons for beginners: different approaches

Learn how the guitar in this free video clip. Get easy guitar lessons for beginners - music tips and techniques.



http://www.youtube.com/watch?v=YlA-ECvYX88&hl=en

Monday, April 26, 2010

Muddy Waters - The Original Huochie Coochie Man


Image : http://www.flickr.com


McKinley Morganfield was born April 4, 1913 and died April 30, 1983, better known by his fans known as Muddy Waters, was a noted American blues musicians of the genre. Muddy Waters was known as "Father of Chicago blues accepted.

Muddy Waters made his debut on the harmonica, but had begun 17 years of playing guitar in a number of parties, where he emulates two prestigious blues Robert Johnson and Son House as to which was immediatelynoticed were his rich baritone, his ability to add dark coloration to his tone and his wonderful ability to add a lot of embellishments to the music he played.

The real success phase for Muddy Waters the Original Huochie Coochie Man began with an association with the Chess brothers Phill and Leonard Chess who had formed a music group known as Aristocrat.

In the year 1948, his music on "I Feel Like Going Home" and "I Can't Be Satisfied" were huge hits and that was the point in time When he began to climb the charts of popularity in clubs. Following that, soon,
Aristocrat rebranded its name to Chess Records, and immediately, Muddy Waters, the original symbol Huochie Coochie Man's, "Rollin 'Stone" was a big hit among fans has happened.

At the moment arrived, in September 1953, had the original Huochie Coochie Man Muddy Waters began recording in collaboration with one of the blues The group recognized throughout history: This group includes ElgaEdmonds who played on drums, Otis Spann who played on piano, Little Walter Jacobs who played on harmonica; and lastly, Jimmy Rogers who strummed the guitar.

The highly acclaimed band had already recorded a number of blues classics during the time of early 1950s, with the active help of Willie Dixon who was a bassist/songwriter and the masterpieces included "I Just Want to Make Love to You"; "Huochie Coochie Man", and "I'm Ready".

These songs were branded macho songs and they earned a lot of critical acclaim. These songs gave Muddy Waters a series of showstoppers and a tremendous thrust, which proved very important for a hitherto unknown bluesman who was trying to break free from the world of local gigs into the lime light of national prominence.

His beginning was not great but he had a lot of support, both institutional and from his peers who helped him with free guitar lessons and Blues Guitar lessons. It was to his credit that he utilized the opportunities to perfection to rise to prominence.

Muddy Waters, by the time he passed away, had carved out his own niche and his music and songs had inspired an entire generation and the Blues Music had begun to earn its laurels.