Learn Guitar Lesson - Unlock the guitar 'Secret now I understand why Chords work

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You may have heard that many of the most popular songs of the world 'includes only three chords, the problem for most of the guitarists ... three chords?

If you are like most guitar players, lost the tendon were trying for several years and are still confused about how the working arrangements are likely to determine the follow-useful tips in both unlock the guitar neck and Ear music training (music memory).

Tip # 1: The best place to get aThe understanding of how the agreements is to focus on the progression two basic agreements. Although not as popular as the progression of three chords songs and field many popular country songs with this progression, and let's face it, if not hear, the two chord progression is exactly future problems with his right hand for three strings to be .

Description:

(A) two songs agreements are almost always made up the first chords and the fifth in the harmonized scale.

(B) in almost allFor example, the song begins and ends with an agreement.

(C) reference chart, in the following table the letter in parentheses is the key, for example, (A), the first agreement is presented as the number 1 and the fifth string is indicated by the number 5.

(A): E = 1, = 5

(A #) # A = 1, E = 5 #

(Bb): B = 1, F = 5

(B): B = 1, F # = 5

(C): C = 1, G = 5

(C #): C # = 1, G = 5 #

(DB): DB = 1, Da = 5

(D): D = 1, A = 5

(D #) D # = 1, A # = 5

(EB): 1 = Eb, Bb = 5

(E): E = 1;B = 5

(F): F = 1, C = 5

(F #) F # = 1, C # = 5

(G): G = 1, D = 5

(G #) # G = 1, D = 5 #

(From): AB = 1, Eb = 5

I showed all types of agreements in any key, often a guitarist who knows a rope progress has written a certain way and not see the course exactly as it is written in a different way.

Tip # 2: All five (5) chords can be played as dominant seventh chord, for which our two reference table arrangement could also berepresented as follows:

Two songs with agreement of the dominant seventh chords.

(A): A = 1; E7 = 5

(A #) # A = 1, E # 7 = 5

(Bb): B = 1; F7 = 5

(B): B = 1, F # 7 = 5

(C): C = 1, G7 = 5

(C #): C = 1 #, G # 7 = 5

(DB): DB = 1; Ab7 = 5

(D): D = 1, A7 = 5

(D #) D # = 1, A # 7 = 5

(EB): Eb = 1; Bb7 = 5

(E): E = 1, B7 = 5

(F): F = 1, C 7 = 5

(F #) F # = 1, C # 7 = 5

(G): G = 1 D7 = 5

(G #) # G = 1, D # 7 = 5

(From): AB = 1; EB7 = 5

Tip # 3: tip of ear training.

Now that youKnowing that two agreements go together the next question is: How does a guitar player to know when to change the string as their training of their musical 'ear', and instinctively find the right chord?

This music theory can come to your rescue work and explain things "because".

The answer lies with a close look at the notes of each chord.

I work in the key of "C" exactly the same principles in all the other keys.

C (a) = CEG

G (five) = GBD

Notice how there is a note that for both the strings of the note G.

Next notice how the notes would be C DOWN C according to the note B in the agreement would be G and E, and the note of the chord C-DOWN to move the note D-Sol to move.

This is our key ... while listening to a progression "two agreements" rope down the sound (it is deeper or heavier), when the rope five because of the internal movement of the notes in each chord of the amendments containedProgression.